Piano Fills With F# Dorian

F# Dorian runs 7 notes to the octave. Below it is lit across two octaves of this chair's keyboard with every key numbered by degree, because what a fill needs mid-song is not the run — it is which degree the right hand is sitting on when the chord changes under it.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

A piano fill lives in the right hand over a left hand that never stops comping, so the scale is read two ways at once — which notes sing over the held chord, and which ones walk the song into its turnaround.

Work it over a held left-hand chord until the right hand stops thinking about the order, then take it to a song in F# and let the melody choose which notes the fill keeps.