Piano Fills With B Whole Half Diminished

B Whole Half Diminished runs 8 notes to the octave. Below it is lit across two octaves of this chair's keyboard with every key numbered by degree, because what a fill needs mid-song is not the run — it is which degree the right hand is sitting on when the chord changes under it.

Unstable and eerie — alternating whole and half steps, with the b3, b5, and 6 spelling a diminished seventh chord in every direction. Ominous, symmetrical, and unresolved.

Heard in: Diminished seventh chords in classical and jazz, horror and suspense scores, Bartok and Stravinsky, and neoclassical metal.

A piano fill lives in the right hand over a left hand that never stops comping, so the scale is read two ways at once — which notes sing over the held chord, and which ones walk the song into its turnaround.

Work it over a held left-hand chord until the right hand stops thinking about the order, then take it to a song in B and let the melody choose which notes the fill keeps.