C6 Pedal Steel Fills With F Whole Tone

F Whole Tone runs 6 notes to the octave. Below it is laid onto this chair's C6 neck with every F marked, because what a fill needs mid-song is not the pattern — it is where the root is when the chord changes under it.

Weightless and dreamlike — six equal whole steps with no leading tone, so nothing pulls anywhere. Blurry, floating, and faintly unsettling, like a dream sequence.

Heard in: Impressionist piano (Debussy's "Voiles"), Thelonious Monk's runs, dream-sequence film cues, and the augmented and 7#5 chords it fits in jazz.

A pedal steel fill is a line the bar and the pedals share: the bar comes to rest on a fret, and a pedal or lever raises a ringing string into the next note of the line, so a scale here marks the resting places and the notes a bend can reach from them.

Play it slowly against the audio until the shape stops being a shape, then take it to a song in F and let the melody pick its own notes out of it.