C6 Pedal Steel Fills With D Dorian Bebop
Where D Dorian Bebop lies on C6 Pedal Steel's neck, and the fill it feeds.
D Dorian Bebop runs 8 notes to the octave. Below it is laid onto this chair's C6 neck with every D marked, because what a fill needs mid-song is not the pattern — it is where the root is when the chord changes under it.
Dorian with a chromatic passing tone slipped between the b3 and the 4 — eight notes, so chord tones keep landing on the strong beats in a run of eighth notes. Cool, flowing, and swinging.
Heard in: Bebop and straight-ahead jazz lines over minor seventh chords — Charlie Parker, Dizzy Gillespie, and the Barry Harris approach.
A pedal steel fill is a line the bar and the pedals share: the bar comes to rest on a fret, and a pedal or lever raises a ringing string into the next note of the line, so a scale here marks the resting places and the notes a bend can reach from them.
Play it slowly against the audio until the shape stops being a shape, then take it to a song in D and let the melody pick its own notes out of it.